\u00centr-o atmosfer\u0103 plin\u0103 de mister \u0219i emo\u021bie, Muza se materializeaz\u0103 sub forma lui Nicklausse, prietenul loial care \u00ee\u0219i propune s\u0103-l elibereze pe Hoffmann din capcana iubirilor devastatoare \u0219i s\u0103-l redirec\u021bioneze spre poezie. \u00centr-o taverna animat\u0103 de studen\u021bi \u0219i alcool, poetul \u00eencepe s\u0103-\u0219i \u00eemp\u0103rt\u0103\u0219easc\u0103 pove\u0219tile, fiind urm\u0103rit de enigmaticul Lindorf, un duh r\u0103u, consilier de seam\u0103, un adev\u0103rat diavol cu m\u0103nu\u0219i fine.<\/p>\n
De c\u00e2te ori trebuie s\u0103-\u021bi fie fr\u00e2nt\u0103 inima pentru a \u00eenv\u0103\u021ba s\u0103 nu mai iube\u0219ti?<\/strong><\/p>\n Povestea debuteaz\u0103 cu o incursiune \u00een Paris, unde Hoffmann se \u00eendr\u0103goste\u0219te de Olympia, o p\u0103pu\u0219\u0103 mecanic\u0103, reprezent\u00e2nd idealul rece \u0219i distant al iubirii. Orbit de vraja lui Copp\u00e9lius, Hoffmann se las\u0103 purtat de iluzie p\u00e2n\u0103 c\u00e2nd adev\u0103rul \u00eel love\u0219te ca un tr\u0103snet: a iubit nu o femeie, ci un mecanism. Urmeaz\u0103 apoi o poveste tragic\u0103 la M\u00fcnchen, unde Antonia, o artist\u0103 talentat\u0103, se afl\u0103 \u00eentr-o lupt\u0103 \u00eentre dragostea pentru Hoffmann \u0219i chemarea irezistibil\u0103 a muzicii. De\u0219i vocea ei are puterea de a cuceri lumea, fiecare not\u0103 o duce mai aproape de moarte, iar doctorul Miracle, o alt\u0103 fa\u021b\u0103 a demonului, o \u00eempinge spre un sf\u00e2r\u0219it tragic.<\/p>\n Po\u021bi s\u0103 suporti s\u0103-l vezi pe cel pe care-l iube\u0219ti distrug\u00e2ndu-se, f\u0103r\u0103 a putea interveni?<\/strong><\/p>\n \u00cen Vene\u021bia, fascinanta Giulietta \u00eel seduce pe Hoffmann, f\u0103c\u00e2ndu-l s\u0103 piard\u0103 nu doar inima, ci \u0219i umbra sa, simboliz\u00e2ndu-i astfel identitatea. Str\u0103lucirea diamantului lui Dapertutto este cople\u0219itoare, iar confruntarea cu Schl\u00e9mil se soldeaz\u0103 cu tr\u0103d\u0103ri \u0219i pierderi. R\u0103mas din nou singur dup\u0103 toate aceste peripe\u021bii, Hoffmann jur\u0103 \u00een taverna lui Luther c\u0103 nu va mai iubi niciodat\u0103. Stella, pe de alt\u0103 parte, pleac\u0103 al\u0103turi de Lindorf, l\u0103s\u00e2ndu-l pe poet \u00een compania singurei lui salvatoare, Muza, Nicklausse, care este gata s\u0103-l ajute s\u0103 renasc\u0103 prin art\u0103.<\/p>\n \u201dLes Contes d\u2019Hoffmann\u201d reprezint\u0103 o c\u0103l\u0103torie fascinant\u0103 \u00een care dorin\u021ba, iluzia \u0219i crea\u021bia se confrunt\u0103 pentru a revendica sufletul unui artist. Dup\u0103 ce se confrunt\u0103 cu p\u0103pu\u0219i perfecte, voci letale \u0219i oglinzi care \u00eei fur\u0103 identitatea, Hoffmann iese din aceast\u0103 experien\u021b\u0103 gol, dar viu, iar din ruinele inimii sale renasc poezia \u0219i inspira\u021bia. C\u00e2nd femeile pleac\u0103 \u0219i demonii triumf\u0103, arta devine singura salvare. \u00cen taverna lui Luther, printre vin, umbre \u0219i aplauze, se aude un adev\u0103r dureros \u0219i sublim: uneori, pentru a te reg\u0103si, trebuie s\u0103 pierzi totul. Nu rata ocazia de a tr\u0103i, pe 13 februarie, la Opera Na\u021bional\u0103 Bucure\u0219ti, c\u0103derea \u0219i rena\u0219terea unui poet prins \u00eentre iubire, nebunie \u0219i demonii s\u0103i interiori.<\/p>\n","protected":false},"excerpt":{"rendered":" \u00centr-o atmosfer\u0103 plin\u0103 de mister \u0219i emo\u021bie, Muza se materializeaz\u0103 sub forma lui Nicklausse, prietenul loial care \u00ee\u0219i propune s\u0103-l elibereze pe Hoffmann din capcana iubirilor devastatoare \u0219i s\u0103-l redirec\u021bioneze spre poezie. \u00centr-o taverna animat\u0103 de studen\u021bi \u0219i alcool, poetul \u00eencepe s\u0103-\u0219i \u00eemp\u0103rt\u0103\u0219easc\u0103 pove\u0219tile, fiind urm\u0103rit de enigmaticul Lindorf, un duh r\u0103u, consilier de seam\u0103, […]<\/p>\n","protected":false},"author":7,"featured_media":2655,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_counter":[],"footnotes":""},"categories":[43],"tags":[4554,340,4558,4553,4556,3538,4557,4555],"class_list":["post-2654","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-hoffmann","tag-iubire","tag-mecanism","tag-muza","tag-olimpia","tag-poezie","tag-poveste-tragica","tag-taverna"],"_links":{"self":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/posts\/2654","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/comments?post=2654"}],"version-history":[{"count":0,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/posts\/2654\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/media\/2655"}],"wp:attachment":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/media?parent=2654"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/categories?post=2654"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/tags?post=2654"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n