\u00centr-o atmosfer\u0103 plin\u0103 de via\u021b\u0103, Muza coboar\u0103 pe p\u0103m\u00e2nt, lu\u00e2nd forma lui Nicklausse, prietenul loial care vrea s\u0103-l salveze pe Hoffmann din mrejele iubirilor distrug\u0103toare \u0219i s\u0103-l readuc\u0103 la poezie. \u00centr-o taverna animat\u0103 de studen\u021bi \u0219i alcool, poetul \u00eencepe s\u0103-\u0219i \u00eemp\u0103rt\u0103\u0219easc\u0103 pove\u0219tile de via\u021b\u0103, fiind urm\u0103rit de enigmaticul Lindorf, un duh r\u0103u, consilier respectabil \u0219i diavol cu m\u0103nu\u0219i fine.<\/p>\n
De c\u00e2te ori trebuie s\u0103-\u021bi fie fr\u00e2nt\u0103 inima pentru a \u00eenv\u0103\u021ba s\u0103 nu mai iube\u0219ti?<\/strong><\/p>\n Povestea \u00eencepe cu Parisul \u0219i Olympia, p\u0103pu\u0219a mecanic\u0103, simbol al perfec\u021biunii reci \u0219i al iubirii proiectate asupra unui obiect. Hoffmann, orbit de ochelarii fermeca\u021bi ai lui Copp\u00e9lius, danseaz\u0103 cu o iluzie p\u00e2n\u0103 c\u00e2nd adev\u0103rul \u00eel love\u0219te \u00een fa\u021b\u0103: a iubit un mecanism, nu o femeie. Apoi, la M\u00fcnchen, \u00eel \u00eent\u00e2lnim pe Hoffmann al\u0103turi de Antonia, artista condamnat\u0103. Vocea ei are puterea de a cuceri lumea, dar fiecare not\u0103 o apropie de moarte. \u00centre iubirea pentru Hoffmann \u0219i chemarea muzicii, fata face o alegere tragic\u0103, l\u0103s\u00e2ndu-se influen\u021bat\u0103 de doctorul Miracle, o nou\u0103 fa\u021b\u0103 a demonului, pentru c\u0103 ultimul s\u0103u c\u00e2ntec devine \u0219i sf\u00e2r\u0219itul ei.<\/p>\n Po\u021bi suporta s\u0103 observi cum omul pe care \u00eel iube\u0219ti se autodistruge, iar tu e\u0219ti incapabil s\u0103-l salvezi?<\/strong><\/p>\n \u00cen Vene\u021bia, Giulietta, o curtezana seduc\u0103toare, \u00eei fur\u0103 lui Hoffmann nu doar inima, ci \u0219i umbra, simbolul propriei sale identit\u0103\u021bi. Str\u0103lucirea diamantului lui Dapertutto, spada care taie, \u0219i c\u0103derea lui Schl\u00e9mil las\u0103 poetul din nou singur, tr\u0103dat de femeia pentru care a comis o crim\u0103. Dup\u0103 aceste aventuri tumultoase, \u00een taverna lui Luther, Hoffmann jur\u0103 c\u0103 nu va mai iubi niciodat\u0103. Stella \u00eel p\u0103r\u0103se\u0219te pentru Lindorf, iar singura care r\u0103m\u00e2ne al\u0103turi de el este Muza, Nicklausse, preg\u0103tit\u0103 s\u0103-i redea via\u021ba prin art\u0103.<\/p>\n \u201dLes Contes d\u2019Hoffmann\u201d reprezint\u0103 o c\u0103l\u0103torie fascinant\u0103 \u00een universul \u00een care dorin\u021ba, iluzia \u0219i crea\u021bia se confrunt\u0103 pentru sufletul unui artist. Dup\u0103 \u00eent\u00e2lniri cu p\u0103pu\u0219i perfecte, voci fatale \u0219i oglinzi care fur\u0103 identitatea, Hoffmann r\u0103m\u00e2ne vulnerabil, fr\u00e2nt, dar viu, iar din ruinele inimii sale se na\u0219te poezia. Atunci c\u00e2nd femeia pleac\u0103 \u0219i demonul triumf\u0103, arta devine singura salvare. \u00cen taverna lui Luther, printre vin, umbre \u0219i aplauze, se aude un adev\u0103r dureros \u0219i sublim: uneori, trebuie s\u0103 pierzi tot pentru a te reg\u0103si pe tine. Nu rata ocazia rar\u0103 de a experimenta, pe 13 februarie, la Opera Na\u021bional\u0103 Bucure\u0219ti, c\u0103derea \u0219i rena\u0219terea unui poet prins \u00eentre iubire, nebunie \u0219i demonii s\u0103i interiori.<\/p>\n","protected":false},"excerpt":{"rendered":" \u00centr-o atmosfer\u0103 plin\u0103 de via\u021b\u0103, Muza coboar\u0103 pe p\u0103m\u00e2nt, lu\u00e2nd forma lui Nicklausse, prietenul loial care vrea s\u0103-l salveze pe Hoffmann din mrejele iubirilor distrug\u0103toare \u0219i s\u0103-l readuc\u0103 la poezie. \u00centr-o taverna animat\u0103 de studen\u021bi \u0219i alcool, poetul \u00eencepe s\u0103-\u0219i \u00eemp\u0103rt\u0103\u0219easc\u0103 pove\u0219tile de via\u021b\u0103, fiind urm\u0103rit de enigmaticul Lindorf, un duh r\u0103u, consilier respectabil \u0219i […]<\/p>\n","protected":false},"author":7,"featured_media":2901,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jnews-multi-image_gallery":[],"jnews_single_post":[],"jnews_primary_category":[],"jnews_override_counter":[],"footnotes":""},"categories":[43],"tags":[4881,4554,340,4880,4558,4553,3538,4555],"class_list":["post-2900","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-antonia","tag-hoffmann","tag-iubire","tag-lindorf","tag-mecanism","tag-muza","tag-poezie","tag-taverna"],"_links":{"self":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/posts\/2900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/comments?post=2900"}],"version-history":[{"count":0,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/posts\/2900\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/media\/2901"}],"wp:attachment":[{"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/media?parent=2900"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/categories?post=2900"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.newsrecorder.ro\/app\/wp-json\/wp\/v2\/tags?post=2900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n